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Winter mood in Lower Bavaria 📸🗻🍁 by natur_bayern
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I work in a pharmacy. We had a patient come in today who couldn't afford his insulin.he said his plan is "to just survive as long as I can." Healthcare sucks ass, and I hate it and my job.
:( This is the kind of thing that ends up killing people. I’m hoping he is able to find a solution. -Abby
Anonymous left a question.
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a-tolkiened-consulting-ripper:
Family ♥️
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“we’ll climb mountains, hunt for treasures in the bazaars of samarcand”
(lm montgomery)
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Anya Roberts-Toney’s “Soft Curses” at Stephanie Chefas Projects.
Currently on view at Stephanie Chefas Projects in Portland, Oregon is artist Anya Roberts-Toney’s solo exhibiton, “Soft Curses.”
In her latest collection of work, Roberts-Toney explores feminine power and the hope she experiences through both witnessing and embracing that power. Consequently, her paintings come imbued with formidable energy, the kind of which invokes a perennial sense of much-needed change.
“A curse is a spell that lingers. It’s a means for a ritual. A tool for a conjuring. Capable of hope. The supposition of power.”, states Roberts-Toney. “The paintings in this series begin with the premise of hope and the simple shape of a horizontal ring of flowers, or sometimes just the ring itself. The ring has a feminine quality, and I think of it as a location for ritual or a space for transformation. I don’t know exactly what the ritual will bring, or what will arise from the transformation, but I hope that it is something good.”
The exhibition is on view until January 25th, 2019.
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the fact that transphobes can follow me without any sense of fear is unbelievable. this is not a transphobe/terf safezone absolutely fuck off
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Anya Roberts-Toney’s “Soft Curses” at Stephanie Chefas Projects.
Currently on view at Stephanie Chefas Projects in Portland, Oregon is artist Anya Roberts-Toney’s solo exhibiton, “Soft Curses.”
In her latest collection of work, Roberts-Toney explores feminine power and the hope she experiences through both witnessing and embracing that power. Consequently, her paintings come imbued with formidable energy, the kind of which invokes a perennial sense of much-needed change.
“A curse is a spell that lingers. It’s a means for a ritual. A tool for a conjuring. Capable of hope. The supposition of power.”, states Roberts-Toney. “The paintings in this series begin with the premise of hope and the simple shape of a horizontal ring of flowers, or sometimes just the ring itself. The ring has a feminine quality, and I think of it as a location for ritual or a space for transformation. I don’t know exactly what the ritual will bring, or what will arise from the transformation, but I hope that it is something good.”
The exhibition is on view until January 25th, 2019.
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there’s a big difference between “food waste” as in “farmers destroy tons of food to avoid exceeding quotas” or “supermarkets throw away this much edible food because it doesn’t sell”
and “food waste” as in “it is not actually within the capacity of humans to perfectly predict and track household food consumption, so a certain amount of food per household inevitably goes bad and has to be thrown out every year”
the idea that food waste is the product of thoughtless consumers rather than corporate greed is really insidious
